![]() ![]() Weiss shows how Artaud’s "body without organs" establishes the closure of the flesh after the death of God how Cage’s "imaginary landscapes" proffer the indissociability of techne and psyche how Novarina reinvents the body through the word in his "theater of the ears." Going beyond the art historical context of these experiments, Weiss describes how, with their emphasis on montage and networks of transmission, they marked out the coordinates of modernism and prefigured what we now recognize as the postmodern. Phantasmic Radio presents a new perspective on the avant-garde radio experiments of Antonin Artaud and John Cage, and brings to light fascinating, lesser-known work by, among others, Valère Novarina, Gregory Whitehead, and Christof Migone. Weaving together cultural and technological history, aesthetic analysis, and epistemological reflection, his investigation reveals how radiophony transforms expression and, in doing so, calls into question assumptions about language and being, body and voice. Weiss explores the meaning of radio to the modern imagination. In this original work of cultural criticism, Allen S. The alienation of the self, the annihilation of the body, the fracturing, dispersal, and reconstruction of the disembodied voice: the themes of modernism, even of modern consciousness, occur as a matter of course in the phantasmic realm of radio. Labor and Working-Class History Association.Association for Middle East Women's Studies.Author Resources from University Presses.Permissions Information for Journal Authors.Journals fulfilled by DUP Journal Services.Please contact an Artspace advisor for a custom quote.We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.It is now considered the industry standard for artists, museums and galleries throughout the world. 090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. Acrylic GlazingĪll of our frames come with picture quality. All mounting is fully reversible, without any potential damage to the art. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. Unfolds, we will increase your bid by increments to ensure you remain the highest bidder. Spend for a work, though this does not necessarily mean you will pay that price. You should always bid the maximum you are willing to Interviews & Features: When the Web Is Made of Thread: Artist Robin Kang on Weaving High-Tech Tapestries for the Internet EraĮvery bid submitted is treated as a maximum bid. Drawing on trauma theory and using an ethnic studies methodology, this book shows how phantasmic novels and films present historical trauma in ways that seek to. ![]() Kang is a recipient of the 2017 NYFA Fellowship in Craft/Sculpture and has studied ancient textile techniques with Shipibo, Quechua, and Scandinavian weavers. Recent institutional shows include the Queens Museum, New York the Essl Museum, Vienna, Austria John Michael Kohler Arts Center, Sheboygan, Wisconsin and the Brooklyn Academy of Music, New York, among others. Kang has exhibited throughout the world including the United States, UK, Canada, Spain, Belgium, Austria, Indonesia, and Saudi Arabia. Utilizing a digitally operated Jacquard handloom, the contemporary version of the first binary-operated machine and argued precursor to the invention of the computer, she hand weaves tapestries that combine mystical symbolism, computer-related imagery, and digital mark-making. Inspired by her southwestern upbringing, Robin Kang reinterprets the tradition of weaving within a contemporary technological context. ![]()
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